Inside Goa's Changing Sunrise Scene
Hilltop Gathering returns for its fourth edition. We spoke with the organizers about what it means to run a festival with no headliners.
Hilltop Gathering returns for its fourth edition. We spoke with the organizers about what it means to run a festival with no headliners — and why they think that's the only way to do it honestly. 'The moment you put a name above the others on the poster,' says co-founder Ananya Mehta, 'you've already told the audience what to pay attention to. We don't want to do that.'
The festival, which takes place on a private hillside plot in North Goa over two days, began as an extension of the informal sunrise gatherings that have defined Goa's party culture for half a century. What's changed is the infrastructure around it: a proper sound system now, a covered stage, a genuine commitment to local talent on every lineup slot.
This year's edition includes twelve acts across two stages, with nine of them based in India. The internationally recognised names present — and there are a few — have been booked specifically because they've demonstrated an understanding of what the festival is trying to do, not because their booking adds credibility. Mehta is clear about this distinction.
The sunrise set at Hilltop Gathering has become something of a pilgrimage for those who know about it. It starts around 4:30am and runs until whenever it runs until — there's no scheduled end time, only a sense of when the light has fully arrived. Last year it went until nearly 10am. Nobody left.
Whether the festival can maintain this philosophy as it grows is the question its organisers grapple with openly. 'We talk about it constantly,' says Mehta. 'At what point does trying to share this with more people change what this is?' They haven't found the answer yet. For now, the gathering is capped at 800 people. The waitlist is four times that.
Continue reading
More articles
Bangkok's Underground Is Building Its Own Rules
How a generation of Thai DJs are sidestepping the festival circuit and carving out something genuinely local — and genuinely hard.
Yuki Harada: On Space, Silence, and Playing Long
The Tokyo producer and DJ discusses her residency at Contact, her process for building ambient sets, and why she rarely plays before 3am.
Bali's New Wave: Beyond the Sunset Set
The island's underground is older and stranger than its Instagram reputation suggests. We go deep into what's actually happening after dark.